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East apartment on the second floor of Mercury Suites in Olympus Heights.Played outside the Footlight Theater and Kashmir Restaurant.Played at the Lower Wharf of Neptune's Bounty after getting the Research Camera.Played at the Kashmir Restaurant in Welcome to Rapture.Sung by Rose at the Bathysphere Station in Welcome to Rapture.The following are the songs and music played while exploring distinct locations in BioShock. Ridgway chose Bing Crosby's "Wrap Your Troubles in Dreams" with the lyrics "What price happiness? Who can truthfully say? But for every share with tears we pay?" to play over an Art Deco aesthetic littered with dead families. One of the first rooms to have completed ambient audio was Painless Dental in the Medical Pavilion.
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Some of the songs Levine was not able to license included Édith Piaf's "La Vie en Rose" (later reprised in the BioShock Infinite soundtrack for Burial at Sea), Louis Prima's and Keeley Smith's "That Old Black Magic", as well as Charles Trenet's original French version of "La Mer". In several instances, songs were chosen to be performed by different artists or later re-recordings were obtained. However, he expressed there were sometimes difficulties obtaining the licensing for some of the songs, given the age of the recordings and their legal rights status. He then cites the unusually cheery nature of Patti Page's "Doggie in the Window" playing against "dark and violent sequence" as well as Tchaikovsky's "Waltz of the Flowers" playing against the crazed actions of Sander Cohen's Fort Frolic. For the songs that fit perfectly, he mentions Django Reinhardt's and Stéphane Grappelli's "La Mer". And sometimes playing against the scene can be a good thing."
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In an interview, Levine commented that "The question usually is: are you supporting the scene or are you playing against the scene.
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Levine was also inspired to include Django Reinhardt's recordings, in particular "La Mer", after hearing his music in the 1999 film Sweet and Lowdown and in the 2002 video game Mafia: The City of Lost Heaven. He emphasized that the music came from the pre-rock 'n roll era including the work of artists such as Johnnie Ray, Rosemary Clooney, Patti Page, and Billie Holiday. Other songs were chosen by creative director Ken Levine who researched music with the help of his dad and through iTunes. The licensed songs designed to be source music as if heard by the characters emanating from radios, phonographs, and jukeboxes rather than as incidental music heard from the game's score. In an interview, Ridgway explains "The songs themselves, there's a really interesting juxtaposition of.a happy quirky musical.razzle dazzle number and then.they'd be singing about.how the world is ending.It was supposed to mirror the optimism and the decay at the same time.those two things sort of coexisting with each other."
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Songlist: Nothing from Nothing, Pennies from Heaven, Sleigh Ride, Let It Snow! Let It Snow! Let It Snow!, Santa Claus Party, Baby, It's Cold Outside, Jingle Bells, The Nutcracker Suite (excerpt: "March"), Christmas Island, Santa Baby, Winter Wonderland, Santa Claus Is Coming to Town Voicing: Solo | 40049b | Songbook | $14.Several of the songs were chosen from Emily Ridgway's personal record collection, which included the artists Django Reinhart, Bing Crosby, and Noël Coward. With this songbook, pianists and singers can brighten the season by lending their own talent to these great songs! Titles: Pennies from Heaven * Sleigh Ride * Let It Snow! Let It Snow! Let It Snow! * Santa Claus Party * Baby, It's Cold Outside * Jingle Bells * The Nutcracker Suite (excerpt: "March") * Christmas Island * Santa Baby * Winter Wonderland * Santa Claus Is Coming to Town * Nothing from Nothing. The hilarious story is augmented by an uplifting soundtrack that features timeless Christmas standards and more. More than a decade after its release, Elf remains one of the world's most popular and beloved holiday films.